urbansheep@gmail.com › Теги: карты и колоды

Одним из следствий является то, что столкновение с плоскостью взрывает нам немножко мозг, и мы не умеем быстро адаптироваться к этому для продуктивной работы. Но зато мы очень быстро адаптируемся к навигации и восприятию с плоскостных интерфейсов. Отсюда все эти дашборды, и такое. - urbansheep@gmail.com

“We are currently witnessing a re-architecture of the web, away from pages and destinations, towards completely personalised experiences built on an aggregation of many individual pieces of content. Content being broken down into individual components and re-aggregated is the result of the rise of mobile technologies, billions of screens of all shapes and sizes, and unprecedented access to data from all kinds of sources through APIs and SDKs. This is driving the web away from many pages of content linked together, towards individual pieces of content aggregated together into one experience.” • #карты_и_колоды - #паттерны - × × ×

"Sometime around 1988, my landlady and I cut a deal. She would purchase a Macintosh computer, I would buy an external hard drive, and we would leave the system in the living room to share. She used the device most, since I did my computing on an IBM 286 and just wanted to keep up with Apple developments. But after we set up the Mac, I sat down with it one evening and noticed a program on the applications menu. "HyperCard?" I wondered. "What's that?" I opened the app and read the instructions. HyperCard allowed you to create "stacks" of cards, which were visual pages on a Macintosh screen. You could insert "fields" into these cards that showed text, tables, or even images. You could install "buttons" that linked individual cards within the stack to each other and that played various sounds as the user clicked them, mostly notably a "boing" clip that to this day I can't get out of my mind. You could also turn your own pictures into buttons." • #карты_и_колоды ∙ #гипертекст - × × ×

“Unlike most of the party games you've played before, Cards Against Humanity is as despicable and awkward as you and your friends. The game is simple. Each round, one player asks a question from a Black Card, and everyone else answers with their funniest White Card.” • #карты_и_колоды • #проигры - × × ×

“The internet is full to over flowing with things like that, things that keep us coming back across the years. So, the problem isn’t one of content, but of attention. It’s a problem of canon. Canon is Sloan’s proposed solution to the problems laid out in “Fish…,” following this catalog of the essays and articles important to David Cole, a designer at Quora. A personal canon is the closest internet approximation of an “album view,” a chance to pluck things we love from the torrent and put them on display so they can’t be missed, by others and us.” • #рубрика_прекрасное - × × ×

"My siblings and I were voracious readers as kids: Between Hans Christian Andersen and every last installment of Amelia Bedelia, my parents couldn’t keep enough books on our shelves. If only we’d had the Infinite Adventure Machine. Developed as a spec project for Microsoft, it’s a computer program that generates crude outlines for--you guessed it--an infinite number of children’s stories. The only catch: You have to fill in the blanks. "No one has succeeded in programming a narrative yet.”The program's by London designer David Benqué, and it’s based on the research of Vladimir Propp, a Russian scholar who reduced the structure of Russian folk tales to 31 “narratemes”--basic narrative elements (like trickery, complicity, and villainy). The Infinite Adventure Machine works by randomly aggregating those 31 elements, according to a few simple rules, to create a synopsis. The synopsis is then spread over the virtual pages of a storybook. Each page gives you a rudimentary plot point (“departure of elders”) alongside a spare illustration (an empty house). Your job is to mine the depths of your imagination to round out the tale with details (“This story starts with two lovely parents who want to leave their child alone in their cold, dark shack”). Reload the program, and it coughs up a totally new synopsis. Are there really countless stories at hand? “I haven't calculated the number of possible outputs, but [it’s] seemingly infinite!” Benqué tells Co.Design." - × × ×

Карточная игра в темы и артефакты (social context exchange). Сверху «карточный игровой каркас» как универсальная механика. #карты_и_колоды - × × ×

“Game Seeds is a card game designed to spice up your brainstorm sessions on character and game design. The game was made as a Research & Development project for the Design for Playful Impact research program at the Utrecht School of the Arts. Game Seeds are wild free-spirited tiny creatures that you can play with, combine, hack and get inspired by to bring new characters and game ideas to life. The goal of the game is to embed the gameplay and the future players actions in the behaviour of the designed characters. Throughout the phases of the game you design a hero, a sidekick and finally… a game! Improving your skills on character design is all about practicing. The more you play, the better you will eventually become. Using improvisation to foster your creativity.” - × × ×

(вы же видели, да, я там поаккуратнее статистику вытащил? плюс выложил код публично, вроде moe хотел поковыряться тоже) - обречённый зверёк¹

Формат простой: два листа (события/возможности), столбцы: 1) название, 2) что происходит, 3) доп.условия (то, которое «кто может/при каких условиях можно сыграть карту»), 4) На кого действует. - × × ×

а мне? делитесь давайте - Viper